The adjective assonant is used to describe those terms that, after their last vowel with an accent, share the vowel sounds in the same order. Assonance verses are also spoken of when they have this same characteristic.
The words are asonantes when, after his last vowel, accented vowels have the same in every syllable. The exception is the vowels that do not have accent in the diphthongs. The inclusion of these words in a verse generates an assonance rhyme. The rhyming consonants, however, imply the coincidence of the letters after the vowel with an accent.
It should be remembered that rhymes are formed from the repetition of sounds. Typically, the repetition is made from the vowel with an accent that is located at the end of the verse, in the last position. If, in two or more verses, the rhyme is created through the coincidence of the vowels with an accent of the different syllables after the last tonic vowel, the rhyme is assonance.
For example:
The women marched singing, / happy after the outbreak, / unwrapped by the wine / and ready to continue fighting.
In this case, as you can see, the example presents an assonance-type rhyme that is built by repeating the vowel sequences AO (singing / fighting) and IO (pop / wine).
As a matter of ease when building verses, assonance rhymes are more frequent than consonant rhymes, since the latter place more restrictions on writing. As a result of this, it should be noted that the assonance rhyme is also known as imperfect or partial, precisely because it does not require the coincidence of all sounds, but only of the vowels.
Choosing one type of rhyme over another should always be done in pursuit of the play and not a desire to display certain technical skills. Each one can offer very different effects, and that does not carry in itself a qualitative value but a stylistic one. If in the search for a perfect rhyme the verses lose their essence and become forced, then it is useless to find all the consonant terms, but it is preferable to opt for assonance.
The assonance rhyme is also known as assonance and is a literary figure, that is, an unconventional way of using words. Thanks to the literary figure it is possible to enhance the expressiveness of the language by means of certain semantic, grammatical or phonic particularities, which move the terms away from their usual terrain, contrary to what we can achieve with the trope.
It goes without saying that it is not common to find literary figures in everyday speech or in informal or spontaneous writings, since these are resources designed to beautify works in a meticulous way. Other names by which literary figures are known outside the academic sphere are rhetorical, stylistic or expressive resources, and figures of discourse.
It is correct to say that the assonance rhyme is related to the alliteration, repetition or reiteration of similar phonemes within a fragment or literary text. A clear example of alliteration can be seen in the following excerpt from a poem by Rubén Darío: “with the small wing of the slight fan. ”
The objective of alliteration, as well as that of the assonance rhyme, is to produce a sound effect thanks to which the expressiveness of the work is enhanced. It is important to note that some theorists in Spanish do not include it in the group of rhythmic elements of versification, but rather consider it a mere stylistic resource, since it is not governed by any metric norm.
